Olympus Tripped.

When the meter finally goes….

Trippy.  Meter no more
Meter no more

The inherent risk of bringing your 40 year old film camera on holiday is of course that it decides to call it a day.  Before loading the Trip, I always give it a quick check to ensure that it responds reasonably appropriately to light – particularly that the wee red underexposed marker appears in the viewfinder.  Day 2 of a trip to Tokyo and before the Fomapan was loaded, it was clear that the Trip meter had finally given up the ghost.  However, before putting it back in the suitcase and relying on the Nikon F60, I remembered the manual aperture settings – a quick check showed these to be responding.

So, a pretty useless 1/40th constant shutter speed in a bright summer Tokyo day and it was Sunny 22 to see how the Trip would go on manual only.  F22 for the bright outdoors and guess for the shade and indoors.

And…  it went ok.  Fomapan 100 is pretty forgiving anyway and with the bright harsh sunlight and deep shadows, I couldn’t really complain with the results from a 40 year old malfunctioning compact and a £3.50 roll of budget Czech film.

asakusa girls1
Kimonos, Asakusa – a great range of detail captured by the Trippy

It would have been a challenge getting any sort of shadow detail here given the contrast between the umbrella and background.

asakusa posing
Posing

Of course, with an aperture setting now to consider on the Trip,  there was the added risk to forget about adjusting the zone focussing from “mountains” to “2 blokes“.

tokyo books
Bookstore.  Blur unintentional..
orange street
Orange Street. In black and white
asakusa incense
Incense

 

asakusa lady
Simultaneously shot on her own phone and my dodgy Trippy

The Trip of course, is a great street camera, all you have to remember is to set the zone focus.  My immediate reaction when the meter went was to retire the Trip and have a look on The Bay for a replacement.  But doing a quick Sunny 16 setting of the Aperture is no problem, and you can learn to live with the constant 1/40th shutter.  The lens is as sharp as ever (after remembering to check the focus) and frankly there is no better looking 35mm compact out there.  My meter-less Trip hasn’t had its last holiday just yet.

More Trip/Foma100 photos on the Flickr.

Grand Prix. On Poundland 200.

I’ve been to a number of Grand Prix over the years – in Spain and Germany – and normally turn up with full frame DSLR, and a backpack of lenses, headed up by a monopodded 150-500 zoom.  However, for the 2017 trip to the Barcelona circuit, I decided to travel light.

F1kit

The Mju was a £3 purchase off the eBay a few years back before the current over-inflated prices appeared and the Praktica was a rebadged MTL3 bought from Argos in the mid-80s.  Both filled with Poundland 200 (in an Agfa box).

When armed with the digital setup on my previous visits, it ended up being an ongoing search for the sharpest panning shot for the weekend.  Pan-click-chimp-repeat.  And getting hundreds of panned racing car shots  that never saw the light of day.

So this year it was to be film only ( bar the phone) and shooting around the F1 village, the stands – but with the odd panning shot – see if an creaky manual Praktica and an old Vivitar zoom lens out of Boots could cut it.

tower
Barcelona circuit tower.  Praktica Nova II

And this was a liberating experience – I had a weekend to enjoy the racing and soak in the atmosphere, with no heavy gear to lug about and chimp-free snapping.

It was also interesting to watch the guys in the stands with the monopods and DSLR/big zoom kit and reflecting that despite all this gear, you were still just a punter in the stands.  I’ve shot some low level motorsport events and had press-photo access to Irish League football and to get the sort of shots that type of access allows, you really need exactly that  – access.  And when you’re a punter – it’s easier to take punter shots.

The kit itself?  Well the Mju is a wee delight.  Totally auto, good sharp autofocus (most of the time) and it’s a genuine pocket camera, quick and easy to snap and it’s easily one of the best point & shoots I’ve used. The flash is on by default, so you’ve to remember to knock it off if you don’t want flash. Apart from that, it’s quick and accurate.

team Max
Team Verstappen
rolex
Timing by Rolex
Williams
Williams F1 truck
senna store
Setting up the Ayrton Senna store
trackview
The view from stand C

As for the Praktica, there’s no doubt it slows you down.  This particular one (of my many Prakticas) had a bit of a dirty viewfinder and together with manually focussing at 200mm, those panning shots were going to be a challenge.

This one of Daniel Ricciardo was only one of very view panning shots taken, as there were other uses for the long lens.

daniel ricciardo
Daniel Ricciardo.  Legend.

Max Verstappen
Max Verstappen in the Red Bull pit

 

Spectator
Stylish Spectator
2 Fans
Stand G – seats remaining

So some nice snaps to take home from a great weekend.  I’d a lot more time to enjoy the event, no worries about batteries needing charged and the £1 film rolls held up well.  If I’m in the press area for a County Down Racing club meet or pitchside at Crusaders v Glentoran in the Irish League, then it’s full digital and the big lens.  Otherwise, I’ll enjoy being a punter with some old gear.

Films developed at photo-express.co.uk
Scanned on Epson V370