Tokyo: Asakusa

The Asakusa district in Tokyo is a real tourist trap, traditionally a ‘pleasure quarter’ – we don’t have many of those in NI.. – it’s a great day trip for the temple and the market.

Photographically I arrived with an  Olympus Trip 35 / Fomapan 100 which had a broken meter so was shooting manually on 1/40th – and a Nikon F60 loaded with Tri-X.  On probably the brightest sunniest day of the year.  Probably a case for digital..

Anyway  – the Sensoji temple

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Sensoji Temple – Olympus Trip 35 / Fomapan 100

 

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Sensoji Temple – Olympus Trip 35 / Fomapan 100

 

A Chōzuya,  for pre-worship purification

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Chōzuya.  Nikon F60/Kodak Tri-X

Then for shopping, there is the Nakamise arcade area.

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Entrance to Nakamise, Nikon F60/Kodak Tri-X
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Posing in kimonos while shopping.  Nikon F60 / Kodak Tri-X 
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Souvenirs.  Nikon F60 / Kodak Tri-X

It’s a smallish area but you can still be sold the guided tours

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Tour guide. Nikon F60 / Kodak Tri-X
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Random music parade.  Nikon F60 / Kodak Tri-X
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Kimomos and umbrella.  Olympus Trip 35 / Fomapan 100
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Just the umbrella.  Olympus Trip 35 / Fomapan 100
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Just the kimonos. Nikon F60 / Kodak Tri-X
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Quieter moment.  Nikon F60/Kodak Tri-X
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Covered arcade. Nikon F60 / Kodak Tri-X
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Information.  Nikon F60 / Kodak Tri-X

The magic of travel is that at home two of the least likely things I would do would be worship and shop. With or without the camera.

Olympus Tripped.

When the meter finally goes….

Trippy.  Meter no more
Meter no more

The inherent risk of bringing your 40 year old film camera on holiday is of course that it decides to call it a day.  Before loading the Trip, I always give it a quick check to ensure that it responds reasonably appropriately to light – particularly that the wee red underexposed marker appears in the viewfinder.  Day 2 of a trip to Tokyo and before the Fomapan was loaded, it was clear that the Trip meter had finally given up the ghost.  However, before putting it back in the suitcase and relying on the Nikon F60, I remembered the manual aperture settings – a quick check showed these to be responding.

So, a pretty useless 1/40th constant shutter speed in a bright summer Tokyo day and it was Sunny 22 to see how the Trip would go on manual only.  F22 for the bright outdoors and guess for the shade and indoors.

And…  it went ok.  Fomapan 100 is pretty forgiving anyway and with the bright harsh sunlight and deep shadows, I couldn’t really complain with the results from a 40 year old malfunctioning compact and a £3.50 roll of budget Czech film.

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Kimonos, Asakusa – a great range of detail captured by the Trippy

It would have been a challenge getting any sort of shadow detail here given the contrast between the umbrella and background.

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Posing

Of course, with an aperture setting now to consider on the Trip,  there was the added risk to forget about adjusting the zone focussing from “mountains” to “2 blokes“.

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Bookstore.  Blur unintentional..
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Orange Street. In black and white
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Incense

 

asakusa lady
Simultaneously shot on her own phone and my dodgy Trippy

The Trip of course, is a great street camera, all you have to remember is to set the zone focus.  My immediate reaction when the meter went was to retire the Trip and have a look on The Bay for a replacement.  But doing a quick Sunny 16 setting of the Aperture is no problem, and you can learn to live with the constant 1/40th shutter.  The lens is as sharp as ever (after remembering to check the focus) and frankly there is no better looking 35mm compact out there.  My meter-less Trip hasn’t had its last holiday just yet.

More Trip/Foma100 photos on the Flickr.